My Training

I’m still learning. I intend to stay that way.

How I choose teachers, question what I learn, and let good training change the way I teach.

I don’t collect certificates.

I study slowly, selectively, and with teachers I trust.

This isn’t a complete record of every course or workshop I’ve taken. It’s a selective record of the teachers and trainings that have genuinely shaped the way I teach.

I’ve been practising yoga for decades and teaching for over ten years. Experience hasn’t made me less curious — if anything, the opposite.

Learning, for me, isn’t about novelty or accumulation. It’s about discernment.

I choose teachers who think clearly, question assumptions, and can hold nuance without collapsing into dogma. I’m interested in biomechanics, movement science and intelligent sequencing — but mostly in what happens when those ideas meet real rooms, real bodies and real lives.

Not everything needs to be new. Some things need time.

A lot of my current work is actually about returning — revisiting ideas, testing them, refining them and allowing them to mature. That’s part of why I teach in progressive modules rather than a string of unrelated classes. There’s time to repeat things, build on them, and notice what actually changes.

My job is to stay curious, keep my standards high, and teach what I genuinely find useful — not simply what sounds impressive on paper.

What shapes my teaching now.

These days, I keep coming back to a handful of ideas: progression over novelty, strength through range, repetition as a way of learning, breath as the organising rhythm of the practice, and giving students enough agency to make useful decisions for themselves.

None of those are fixed rules.

They’re things I continue to study, test, question and refine in real classes with real people.

Some influences are relatively new. Others have been with me for years.

What matters is whether they still hold up in the room.

Current study.

Strong Yoga — Jason Crandell · 2026/27

This one is a little different.

I’m currently undertaking Jason Crandell’s Strong Yoga training over the next six months, combining recorded study with regular live sessions. The course brings resistance training — kettlebells, bands, pulling, hinging and loaded strength work — into the context of a yoga practice.

For now, I’m doing this much more for myself than for my teaching.

My early yoga years were steeped in Ashtanga, where the ideal presented to me was a two-hour practice, six days a week. I never quite managed that consistently, and for years I quietly interpreted that as a failure of discipline. Looking back, I’m rather glad I wasn’t quite as good at following instructions as I thought I should have been.

These days my personal practice is considerably less heroic — currently closer to twice a week. In some ways, that has made me a better teacher, because I understand much more about fitting practice around an ordinary life. But personally, I know I want more movement, more strength and more consistency.

I’ve tried the gym and heavier weight training. I understand the value of it; I just haven’t found a version that makes me especially keen to keep showing up.

This feels different.

At 56, I’m increasingly interested in what will keep me strong, capable and curious about movement for the next few decades — not in recreating the yoga practice I had at 26. Jason’s teaching has always had a knack for getting me interested enough to actually practise, so this feels like a good fit for where I am now, particularly heading into my long summer break.

Will some of it eventually find its way into my classes? Possibly. Most useful things do, eventually.

But that isn’t the assignment this time.

For now, I get to be the student.

Up next.

The Art of Flow — Duncan Parviainen · October 2026

In October, once again, I’m heading to Mullumbimby to study with Duncan Parviainen.

I’m particularly interested in his approach to vinyasa — not just the choreography of a sequence, but the relationship between rhythm, transitions, attention and the experience of actually moving through it.

I’m going without a particular outcome in mind, which feels important.

Some training changes the way I teach immediately. Some of it needs to sit for a while first.

I’m curious to see what this one does.

Advanced Vinyasa Teacher Training — Duncan Parviainen · 2027

I’m also planning to continue studying with Duncan through his 300-hour advanced training in 2027.

For now, I’m deliberately leaving this one open. I’ve learned that I don’t always know what I’m going to take from a training until I’m in it.

Teachers who have shaped my work.

I’ve studied with many teachers over the years, but a smaller number have genuinely changed the way I think about practice and teaching. Not because I agree with everything they say.

Because their work has made me question things, notice things I’d been missing, or become more precise about what I’m trying to do in the room.

A man practicing yoga in a brick-walled room, sitting cross-legged on a rug and stretching his arms behind his back.

Jason Crandell

Jason’s work has probably had the most sustained influence on the way I teach today.

I’ve studied with him across multiple trainings over several years, and his approach to sequencing has fundamentally changed the way I think about progression, repetition and how a practice develops over time.

But the influence goes beyond sequencing. Jason has also helped me become more comfortable questioning inherited yoga conventions, letting go of things simply because “that’s how yoga is done,” and asking a much more useful question:

What are we actually trying to achieve here?

That question shows up in my teaching all the time.

A woman practicing yoga in a living room, sitting on a chair with her right knee bent and her left leg extended back, holding onto the chair's backrest for support, on a green yoga mat.

Jules Mitchell

Jules’ work has had a significant influence on the way I think about movement, strength, mobility and evidence.

Her 300-hour training has shaped how I teach active range of motion, progressive loading and strength at end range — but just as importantly, it has changed the way I think about research itself.

Before studying with Jules, I didn’t really know how to read a research paper properly. I’m still learning, but I’m far better equipped now to look beyond headlines, question sweeping claims, and be suspicious when somebody says “the science says…” without much nuance underneath it.

I came close to completing the training before life intervened, and I plan to finish the remaining work in 2027.

A woman with light brown hair and blue eyes, smiling, wearing a black shirt, in a well-lit room with a white background.

Cecily Milne

Cecily was one of the first teachers who really opened my eyes to the fact that yoga could be taught differently — and, in many ways, better.

Her work encouraged me to question inherited teaching habits, look more closely at how and why we organise movement, and stop assuming that traditional ways of doing things were automatically the most useful ones.

That was a genuine turning point for me.

Cecily has since become a friend, and I still value her thinking enormously. We remain in touch, and I’m always grateful for her willingness to question, notice and offer perspective.

Her influence gave me permission to become much more curious about what yoga teaching could actually be.

Duncan Parviainen

There’s something about the way Duncan teaches that I find incredibly compelling.

His knowledge is broad and deeply considered, but what I value most is the way he communicates it. Complex ideas about movement, anatomy, sequencing and flow somehow become clear, practical and immediately useful.

Every time I study with Duncan, I come away with things I can genuinely take back into the room — and students often comment on the detail and intelligence behind those ideas when they appear in class.

I’m also drawn to the way he approaches vinyasa as more than a collection of poses. Rhythm, transitions, attention, effort and the experience of moving all matter.

Sadie Wells sharing a joyful moment with fellow yoga practitioners, reflecting her years of experience, connection, and expertise in guiding others on their yoga journey.

Foundations.

Before all the advanced training, there was my original 350-hour teacher training with Kate Pell and Dan Alder at The Yoga Den in Brisbane.

It was a year-long, small-group, in-person program, and it gave me the foundations I still rely on now: how to observe a room, how to communicate clearly, and how to teach the people in front of me rather than simply deliver a script.

I’ve changed my mind about plenty since then — as I hope I always will — but those early lessons have stayed.

Professional standing.

I’m a Level 2 Yoga Teacher registered with Yoga Australia. I have extensive foundational and advanced training, and I continue to invest in ongoing education every year.

Circular logo with concentric circles and text that reads 'YOGALAB' at the top and 'REGE' along the bottom, with the words 'LEVEL 2' in the center.

Selected training.

A selected record of the formal trainings that have most significantly shaped my teaching. I’ve done plenty of other workshops and shorter courses over the years; I don’t list everything.

  • Sequencing 2.0 — Jason Crandell Yoga Method, 2026
    A six-month advanced training in long-term sequencing, curriculum design, workshops and series-based teaching, including regular live Zoom sessions with Jason. This training directly informed several of my 2027 offerings, including Back to Practice, Intro to Vinyasa and a series of focused workshops.

  • Deepen Your Practice Immersion — Duncan Parviainen / Heart of Vinyāsa, Mullumbimby (2025)

  • 300hr Advanced Teacher Training — Jules Mitchell, 12-month cohort, biomechanics and movement science focus (in progress; completion planned 2027)

  • In-person intensive — Annie Carpenter, Brisbane (2025)

  • 300hr Advanced Teacher Training — Jason Crandell, 12-month cohort (2024)

  • Deepen Your Practice Immersion — Duncan Parviainen / Heart of Vinyāsa, 40hr online training

  • Advanced studies — Cecily Milne / Yoga Detour: Detour Method Online, Detour Method Synthesis and 40hr in-person intensive, Melbourne (2019–20)

  • 7-day immersion — Donna Farhi, Sydney (2014)

  • 350hr Foundational Teacher Training — Kate Pell & Dan Alder, Brisbane, 12-month program (2014)

Yoga teaching isn’t a formally regulated profession in Australia, so training pathways can vary enormously. I include the detail here because I think the depth, format and mentorship behind a teacher’s education matter.

A woman with shoulder-length wavy brown hair, smiling, wearing a black sleeveless top, showing tattoos on her chest and shoulder, surrounded by colorful decorative elements including a pink flamingo, a pink flower, a grapefruit, and a yellow paper plane.

A different kind of mentor.

Amber Beach

Amber came into my life at a point when I’d been running the studio largely on my own for years and was pretty close to burning myself out.

Her influence hasn’t been about how I sequence a class or teach a pose. It’s been about the bigger picture — boundaries, retreats, workload, decision-making, and learning to build a business that actually fits the life I want to live.

She’s also helped me trust my own judgement more. That has mattered enormously.

I still value her perspective, particularly when I’m too close to something to see it clearly myself.